History Of Philippine Cinema 4x2a6u
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Start of the film industry
Antonio Ramos together with two Swiss entrepreneurs Leibman and Peritz helped bring the Lumiere Cinematograph to the Philippines Debuted it on August 28, 1897 also at Escolta, Manila They showed documentary clips about recent events in Europe Ramos showed 10 different films but by the end of the month he was shuffling the films combining them with each other. Attendance slowly diminished/nagsawa mga tao dahil no new films then/cheaper tickets End of November closed
First movie producer
The following year, Ramos made a comeback with films shot in the Philippines using Lumiere in 1898 Panorama de Manila (Manila landscape) Fiesta de Quiapo (Quiapo Fiesta) Puente de España (Bridge of Spain) Escenas Callejeras (Street scenes) Antonio Ramos becomes the first movie producer in the Philippines.
Other pioneers
Among the pioneers who left documentary evidences of their visits to the Philippines were: Burton Holmes, father of the “Travelogue” who made the first of several visits in 1899; and made the Battle of Baliwag; Kimwood Peters who shot the Banawe Rice Terraces and Raymond Ackerman of American Biography and Mutoscope who filmed Filipino Cockfight and the Battle of Mt. Arayat
The start of film showing
Film showing resumed in 1900. A British named Walgrah opened the first hall for movie viewing known as Cine Walgrah at Calle Santa Rosa in Intramuros. The second movie was opened in 1902 by a Spanish entrepreneur, Samuel Rebarber, called Gran Cinematogrado Parisien at Calle Crespo Quiapo. The First Filipino-owned movie theater called the Cinemtograpo Rizal located at the Azcarrage St. in front of Tutuban Train Station.
American influences to Film
1903 the quality of films began to improve this was also brought about as the institution of film as entertainment took shape in the United States particularly Hollywood. American colonialism brought to us silent movies But, , the silent movies were never shown in silence starting with the first show in 1897. There was always a gramophone, a piano, or a quartet, or when Caviria was shown at the Manila Grand Opera House– a 200 man choir. These imported movies led to the establishment of Film distribution companies in the PH Because of this continuous supply of films at cheap introductory prices brought a landslide of the movie theaters. The moviehouses began to expand to provinces with electricity. Up to now we could see that Filipinos became uninterested because they were all about Americans
Attempt to showcase the Philippines
In 1905, Herbert Wyndham (british), shot scenes at the Manila Fire Department; Albert Yearsly shot the Rizal Day Celebration in Luneta 1909; in 1910, the Manila Carnival; in 1911, the Eruption of Mayon Volcano; the firstAirplane Flight Over Manila by Bud Mars and the Fires of Tondo, Pandacan and Paco; and, in 1912, the Departure of the Igorots to Barcelona and the Typhoon in Cebu. Again, these films failed to capture hearts because they were about foreigners naman
FirstFeature Film in the PH
The first story film made in the Philippines- Rose of the Philippines may have been produced on location in Manila in 1909 by the IMP Company– Carl Laemmele’s (German) Independent Moving Picture Company, When it was released in Manila in 1911, Rose of the Philippines, was d in the Manila Times as “among the first films produced locally-a dramatic story from the days of the Empire.”
First movie with sound
The first picture with sound reached Manila in 1910, using the Chronophone. First color films in the Philippines - A British film crew also visited the Philippines, and filmed, among other scenes, the Pagsanjan Falls (Oriental, 1911) in kinemakolor.
In 1912, New York and Hollywood film companies started to establish their own agencies in Manila to distribute films. By 1915, the best films of both Europe and U.S. were being enjoyed by Filipino audiences in Manila and the Provinces. When two American entrepreneurs made a film in 1912 about Jose Rizal’s execution, the sensation they made it clear that the Filipino’s need for material close to their hearts. This heralded the making of the first Filipino film.
When World War I (1914-1918) choked off the production of European studios, Manila theater managers turned to U.S. for new film products. With the variety they offered, American Production-distribution-exhibition combinations quickly dominated the Philippine film market. It has stayed that way since then– until now!
Censorship and Taxes on Philippine Cinema
The Government established the Board of Censors for cinematographic films in 1912 it was superseded by the Board of Censorship for Moving Pictures in 1929. it is now the Movie and Television Review and Classification Board (MTRCB). The government also imposed the first taxes on film in 1915, Direct taxes were slapped by the national government on “kinetoscope, biographs, cinematographs, magic lanterns and similar picture-projecting devices. the film producers and distributors pleaded: “Moving pictures have provided more people in every country of the world with wholesome amusement and at a price that the poorest can pay than any amusement invented since the world began, and have become almost a necessity to a great many people of all classes, and nowhere are they considered a luxury.” Nevertheless, the Bureau of Internal Revenue started collecting taxes on film in 1916.
Father of Philippine Movies
The credit of being the first Filipino to make a film goes to Jose Nepumuceno, whom historians dub as the “Father of Philippine Movies”. Nepumuceno’s first film (directed) was Dalagang Bukid (Country Maiden) 1919 by Hemogenes Ilagan and Leon Ignacio.
He saw cinema, not only as a profitable entertainment fare, but as a unique medium with which to document the unfolding development of the Philippines.
All of his works are now lost films
Dalagang Bukid ("Country Maiden") (1919)
La Venganza de Don Silvestre (1920)
Un Capullo Marchito (1920)
The Three Humbugs (1926)
Ang Manananggal (1927)
Hot Kisses (1927)
The Filipino Woman (1927)
Ang Lumang Simbahan ("The Old Church") (1928)
The Pearl of the Markets (1929)
Sa Landas ng Pag-ibig ("The Path of Love") (1929)
Child Out of Wedlock (1930)
Noli Me Tángere (1930)
The Young Nun (1931)
The Secret Pagan God (1931)
Moro Pirates (1931)
At Heaven's Gate (1932)
Stray Flowers (1932)
Punyal na Ginto ("Golden Dagger") (1933)
He discovered and trained about 90% of the Pre-war craftsmen in both the creative and technical fields of the industry, including stars, directors, and technicians. For his efforts and sacrifices, he has been called the “Father of Philippine Movies.”
Honorata de la Rama-Hernandez (January 11, 1905 – July 11, 1991), commonly known as Atang de la Rama, was asinger and bodabil performer who became the first Filipina film actress. National Artist of PH for Theathre and Music
Brian Soria Fernando Royo Ben Rubio Rolando Liwanag Exequiel Segovia Ben Pérez Teddy Benavides Manuel Barbeyto Ernesto la Guardia Jaime G. Castellvi Rudy Concepcion Alfonso Carvajal Jose Troni Nardo Vercudia Andrés Centenera Fermín Barva Fernando Poe Nati Rubí Etang Discher Monang Carvajal Naty Bernardo
Filipino Film Companies Malayan Movies (1917) – Jose and Jesus Nepomuceno Dalagang Bukid (1919) La Venganza de Don Silvestre (1920) Noli Me Tangere (1930) Other film producers Vicente Salumbides – introduced new camera techniques from Hollywoof Julian Manansala – produced movies on political & nationalist themes Carmen Concha – used authentic costume & props for her movies
Antonio Ramos together with two Swiss entrepreneurs Leibman and Peritz helped bring the Lumiere Cinematograph to the Philippines Debuted it on August 28, 1897 also at Escolta, Manila They showed documentary clips about recent events in Europe Ramos showed 10 different films but by the end of the month he was shuffling the films combining them with each other. Attendance slowly diminished/nagsawa mga tao dahil no new films then/cheaper tickets End of November closed
First movie producer
The following year, Ramos made a comeback with films shot in the Philippines using Lumiere in 1898 Panorama de Manila (Manila landscape) Fiesta de Quiapo (Quiapo Fiesta) Puente de España (Bridge of Spain) Escenas Callejeras (Street scenes) Antonio Ramos becomes the first movie producer in the Philippines.
Other pioneers
Among the pioneers who left documentary evidences of their visits to the Philippines were: Burton Holmes, father of the “Travelogue” who made the first of several visits in 1899; and made the Battle of Baliwag; Kimwood Peters who shot the Banawe Rice Terraces and Raymond Ackerman of American Biography and Mutoscope who filmed Filipino Cockfight and the Battle of Mt. Arayat
The start of film showing
Film showing resumed in 1900. A British named Walgrah opened the first hall for movie viewing known as Cine Walgrah at Calle Santa Rosa in Intramuros. The second movie was opened in 1902 by a Spanish entrepreneur, Samuel Rebarber, called Gran Cinematogrado Parisien at Calle Crespo Quiapo. The First Filipino-owned movie theater called the Cinemtograpo Rizal located at the Azcarrage St. in front of Tutuban Train Station.
American influences to Film
1903 the quality of films began to improve this was also brought about as the institution of film as entertainment took shape in the United States particularly Hollywood. American colonialism brought to us silent movies But, , the silent movies were never shown in silence starting with the first show in 1897. There was always a gramophone, a piano, or a quartet, or when Caviria was shown at the Manila Grand Opera House– a 200 man choir. These imported movies led to the establishment of Film distribution companies in the PH Because of this continuous supply of films at cheap introductory prices brought a landslide of the movie theaters. The moviehouses began to expand to provinces with electricity. Up to now we could see that Filipinos became uninterested because they were all about Americans
Attempt to showcase the Philippines
In 1905, Herbert Wyndham (british), shot scenes at the Manila Fire Department; Albert Yearsly shot the Rizal Day Celebration in Luneta 1909; in 1910, the Manila Carnival; in 1911, the Eruption of Mayon Volcano; the firstAirplane Flight Over Manila by Bud Mars and the Fires of Tondo, Pandacan and Paco; and, in 1912, the Departure of the Igorots to Barcelona and the Typhoon in Cebu. Again, these films failed to capture hearts because they were about foreigners naman
FirstFeature Film in the PH
The first story film made in the Philippines- Rose of the Philippines may have been produced on location in Manila in 1909 by the IMP Company– Carl Laemmele’s (German) Independent Moving Picture Company, When it was released in Manila in 1911, Rose of the Philippines, was d in the Manila Times as “among the first films produced locally-a dramatic story from the days of the Empire.”
First movie with sound
The first picture with sound reached Manila in 1910, using the Chronophone. First color films in the Philippines - A British film crew also visited the Philippines, and filmed, among other scenes, the Pagsanjan Falls (Oriental, 1911) in kinemakolor.
In 1912, New York and Hollywood film companies started to establish their own agencies in Manila to distribute films. By 1915, the best films of both Europe and U.S. were being enjoyed by Filipino audiences in Manila and the Provinces. When two American entrepreneurs made a film in 1912 about Jose Rizal’s execution, the sensation they made it clear that the Filipino’s need for material close to their hearts. This heralded the making of the first Filipino film.
When World War I (1914-1918) choked off the production of European studios, Manila theater managers turned to U.S. for new film products. With the variety they offered, American Production-distribution-exhibition combinations quickly dominated the Philippine film market. It has stayed that way since then– until now!
Censorship and Taxes on Philippine Cinema
The Government established the Board of Censors for cinematographic films in 1912 it was superseded by the Board of Censorship for Moving Pictures in 1929. it is now the Movie and Television Review and Classification Board (MTRCB). The government also imposed the first taxes on film in 1915, Direct taxes were slapped by the national government on “kinetoscope, biographs, cinematographs, magic lanterns and similar picture-projecting devices. the film producers and distributors pleaded: “Moving pictures have provided more people in every country of the world with wholesome amusement and at a price that the poorest can pay than any amusement invented since the world began, and have become almost a necessity to a great many people of all classes, and nowhere are they considered a luxury.” Nevertheless, the Bureau of Internal Revenue started collecting taxes on film in 1916.
Father of Philippine Movies
The credit of being the first Filipino to make a film goes to Jose Nepumuceno, whom historians dub as the “Father of Philippine Movies”. Nepumuceno’s first film (directed) was Dalagang Bukid (Country Maiden) 1919 by Hemogenes Ilagan and Leon Ignacio.
He saw cinema, not only as a profitable entertainment fare, but as a unique medium with which to document the unfolding development of the Philippines.
All of his works are now lost films
Dalagang Bukid ("Country Maiden") (1919)
La Venganza de Don Silvestre (1920)
Un Capullo Marchito (1920)
The Three Humbugs (1926)
Ang Manananggal (1927)
Hot Kisses (1927)
The Filipino Woman (1927)
Ang Lumang Simbahan ("The Old Church") (1928)
The Pearl of the Markets (1929)
Sa Landas ng Pag-ibig ("The Path of Love") (1929)
Child Out of Wedlock (1930)
Noli Me Tángere (1930)
The Young Nun (1931)
The Secret Pagan God (1931)
Moro Pirates (1931)
At Heaven's Gate (1932)
Stray Flowers (1932)
Punyal na Ginto ("Golden Dagger") (1933)
He discovered and trained about 90% of the Pre-war craftsmen in both the creative and technical fields of the industry, including stars, directors, and technicians. For his efforts and sacrifices, he has been called the “Father of Philippine Movies.”
Honorata de la Rama-Hernandez (January 11, 1905 – July 11, 1991), commonly known as Atang de la Rama, was asinger and bodabil performer who became the first Filipina film actress. National Artist of PH for Theathre and Music
Brian Soria Fernando Royo Ben Rubio Rolando Liwanag Exequiel Segovia Ben Pérez Teddy Benavides Manuel Barbeyto Ernesto la Guardia Jaime G. Castellvi Rudy Concepcion Alfonso Carvajal Jose Troni Nardo Vercudia Andrés Centenera Fermín Barva Fernando Poe Nati Rubí Etang Discher Monang Carvajal Naty Bernardo
Filipino Film Companies Malayan Movies (1917) – Jose and Jesus Nepomuceno Dalagang Bukid (1919) La Venganza de Don Silvestre (1920) Noli Me Tangere (1930) Other film producers Vicente Salumbides – introduced new camera techniques from Hollywoof Julian Manansala – produced movies on political & nationalist themes Carmen Concha – used authentic costume & props for her movies
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