Byzantine Art Characteristics 3dn27

BYZANTINE ART CHARACTERISTICS -

-

formal, severe, abstract, otherworldly treatment of the subject, which was religious. Balanced composition Figures: o Floating, not standing on the ground o Frontal of figures o Centrally located o Frequently portray the Christ and Virgin Mary figures o Elongated and unnatural. o Stylized o Little representation of emotions o Italo version (Cimabue) is more expressive o Curved body o Limited range of gestures lack of modeling (space) or depth no perspective the picture is often flattened out the purpose: to present the image as heavenly and not mundane (worldly) USE OF GOLD, especially on background and as highlights Decorative, detailed surface

When thinking of Byzantine Art think of this work:

BONAVENTURA BERLINGHIERI, from the Saint Francis Altarpiece, San sco, Pescia, Italy, 1235. Tempera on wood, approx

MANIERA GRECA/Italo-Byzantine This is the term used to describe the Greek or Byzantine mode of painting adopted in Italy by the artists of the Proto-Renaissance. Its characteristics are: - the heavy use of gilding - brilliant colors - dominant use of line to form the folds on the fabric (drapery). - They elevate the Byzantine art characteristics by adding perspective, different usage of line, gold, drapery, architecture and even landscape in their works to create depth and space on a 2-dimensional work. - No more floating figures.

Think of the work of Cimabue.

CIMABUE, Madonna Enthroned with Angels and Prophets, ca 1280-1290. Tempera on wood, 12’ 7” X 7’4”. Galleria degli Uffizi,

Proto-Renaissance (period of 1300-1400, prior to renaissance):

Giotto di Bondone (Florence) -The student of Cimabue -Like his teacher, he decorated chapels, churches, altars and other religious locations. Depicts the scenes from the life of Christ and other Saints. -His style of painting is revolutionary in that his figures are far from floating, unrealistic human figures in the Medieval works. He gives rise to naturalism. -In accordance with naturalism he observed humans and reproduces their gestures, expressions and movement in art. -The composition of his work was carefully planned. His excellent use of space shows the importance of authenticity to him. He arranges his subjects in a way to involve the viewer in this authentic, natural narrative. - Used horizon lines, diagonal lines, landscape, architecture to draw the idea to the main focus of the fresco, and to create a 3d illusion. (i.e. Lamentation from the Arena Chapel, Padua). -Chiaroscuro – the use of light and shade. He used this technique to evoke the sense of depth, to form a perspective and the feel of tri-dimensionality. -The use of the color blue for skies as opposed to gold, although in his works the gold is being used. Think of his Arena Chapel, Padua.

Duccio di Buoninsegna (Sienna rival to Florence) -active 1278- 1318, principal painter in Sienna. - natural approach to painting figures, use of colors. -creation of illusion of 3D through use of architecture and landscape. -Teacher of Simone Martini and Lorenzetti brothers (Pietro and Ambrogio). When thinking of Duccio think of ‘Maesta” Altarpiece.

SUMMARY: FLORENCE: Byzantine Style---Cimabue (Italo-Byzantine style or Maniera Greca)-----Giotto (Proto renaissance).

SIENNA: Duccio (Giotto’s equal in of invention and stepping from the Byzantine style) - Simone Martine and Lorenzetti Brothers.